Modern China

The search for simplicity-

Simple, functional, beautiful: the global passion for pared-down style has its roots in Oriental design.  Fluid shapes, streamlined room, attention to the art of detailing, all reveal a sense of balance, order and harmony that is at the heart of Eastern ideals.  Interior designers the world over have long looked eastwards for inspiration, and the profusion of Thai and Japanese-inspired decorative elements in hotels, restaurants and homes from London to Sydney to New York is a testament to its wide-ranging appeal.  Now Chinese decorative style, at last being recognized for its relevance to modern living, offers a host of ideas for 21st century living. In the past, Chinese style was usually associated with ornate carvings, complex patterns and eye-scorching palette of rich reds and glitzy golds.  What is often overlooked is the fact that there is an age-old classicism inherent in Chinese design that appeals to the modern minimalist in all of us. This stems in part from the philosophy-cum-religion called Taoism, advocated by the Chinese scholar Lao-Tse (604-531 BC) who stressed the importance of simplicity and harmony in daily living.  It arose in the pared-down style of Ming dynasty décor (1368-1644) which is totally in tune with modern aesthetics; and it is revealed in the global popularity of the ancient Chinese practice of feng shui, whereby people focus on the placement of objects in their homes to achieve greater balance in their lives.

More and more busy city dwellers—both in China and the West—are embracing classical serenity at home.  The appeal of a relaxing sanctuary to retreat to at the end of a stress-filled day has never been greater.  A calming decorative approach, one that incorporates balanced lines, natural materials and neutral colors is key.  The look may be minimal, retro, provincial or eclectic, but the most successful interpretations use Chinese accents in fresh and interesting ways.

China’s rich and complex history has provided inspiration for a vast array of decorative motifs.   Designers the world over are coming up with varied interpretations of centuries-old ideas and no more so than in the East.  A new breed of globally aware China-based designers is proving the driving force behind the development of the genre.  Whereas once they looked Westwards they are now turning their attention closer to home and drawing on their creative roots to produce a new vocabulary of design that is exciting, innovative and energetic—and draws heavily on Chinese style.